This approach is beneficial because it takes little or no processing overhead, and can't compromise your audio quality with pumping effects or increased background noise. I rarely, if ever, use compression on MIDI sounds, simply because you can get all the same effects by manipulating the MIDI data. However, when it comes to more general compression, expansion, or limiting of MIDI performances, many musicians still reach for an audio plug-in - largely, I suspect, because that is what they tend to do with vocals, guitars and drums. If you can hear a few recorded MIDI notes in your song that are noticeably softer or louder than their neighbours, the obvious solution is to open up the Cubase Key Editor, grab the offending velocity value in the lower pane and tweak it up or down as appropriate. You can see how both the MIDI velocity and resulting audio file are more controlled throughout. Here you can see the original MIDI performance at top left, with the corresponding audio export file beneath it, while at top right 70 percent MIDI compression has been applied. Here's how you do it.Īs well as straightforward louder/softer velocity tweaks, the Cubase MIDI Velocity Tool can be used to compress, expand and limit your performances. Controlling your synth's dynamics using MIDI, rather than audio plug-ins, can offer you greater flexibility and good results.
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